THE LADY ADVOCATES OF CANADIAN HIP HOP

Source: http://legionofbeats.blogspot.com/

THE 2ND OF THE POWER OF 3 SERIES, THE LADY ADVOCATES OF CANADIAN HIP HOP Growing up during the evolving of hip hop in Canada was a time in which no other Canadian youth experienced in the history of the country. It was a whole new music and a whole new rap... A whole new era in this large country. A music that changed the life and attitudes of people, no matter how young or old. The creation of concepts; expression thru beat, dance and poetry; and now swagger. From that era emerged 3 super ladies in the entertainment industry, who were heavily involved in the culture from..."time."

Priya-Publisher, Urbanology MagazineNylda-Teacher, Dancer, ChoreographerTara-Management, Public Relations Legion Music And Media Present:

THE LADY ADVOCATES OF CANADIAN HIP HOP

Background
Priya: Yup, I was born and raised in Toronto's Malvern community in Scarborough. I grew up around hip-hop music... My first memorable hip-hop moment. I went to visit my father in New York and my brother and I went to the used music store. I bought EPMD's "Headbanger", De La Soul's "Say No Go" and Fat Joe's "Flow Joe" on cassette single - they were like $1.99 each. I was so happy to be a music owner!!! Then I took them back to my dad's studio suite, sat in a corner with a tape player and listened to those tapes OVER and OVER again. I learned all the words - I was so proud :-) A year or so ago, I interview Fat Joe (w/ J. Holiday in pic) for an Urbanology article and told him about that and he was ecstatic! (source: http://www.msplinks.com/MDFodHRwOi8vd3d3LnJhcG5ld3MuZnIv)And yah... I haven't left hip-hop since.

Nylda: I was very much the makings of Lady Noyz. My name was given to me because of my personality, and the chaos my dancing evokes in others. So I am a self fulfilled prophecy, so to speak.I was always performing, dancing, chilling wit the guys...etc.Born into a family of strong Cultural roots and political consciousness, I evolved.

Tara: Oh man, I was an 8 year old singing Meth & Mary J's "You're all I Need" at a grade 3 talent show with my boy Jeremy Nolet.I was that kid in school, ESPECIALLY elementary school, that brought new music to show & tell. I was always involved in anything I could get my hands on. I don't think I ever "discovered" hip-hop, I was always fascinated by it even in my Nova Scotia small town. I know it's hard to think there was a generation without the internet, but my only resource was really RapCity and The Source.My big bro had a paper route, which meant he could buy tapes and I would borrow them for doing the dishes for him. I was a mini hustler! I remember one of his first tape's was Yo! MTV Raps..

_________________________________________________________________________Wow, so big brother was a great influence from an early age. And in turn, it was like hip hop was a big brother (fam)…

Tara ~ To this day, I can't figure out if it was my brothers influence that put me on to hip-hop or if was something I was intrigued with on my own. It certainly wasn't cool to listen to it in high school.. Either way, whatever it was made me sneak to a TV past my bedtime on Wednesday nights to watch Da Mix reruns.. As for style, I had none :) As I said earlier, hip hop fascinated me, but you could never tell by my physical appearance. Didn't matter though. When I was 16, I had a teacher tell me "Always leave something better than when you arrived" - that's stuck with me. I come from a strong family of heavyweights who play large roles in the community so that's my strength on a daily basis. I can't even tell you how strong my mom is- her integrity and unconditional love.This must be noted- I NEVER WANTED TO GET INTO THE MUSIC BUSINESS! I was one hundred percent about getting into psychology and working with youth. I've known many people who got into music and became bitter- so starting at The Masterplan Show at 19 was just a hobby. The host at the time, Deeks, is a key figure in my history because he never hesitated to be honest with me about my strengths & weaknesses. I still don't think he knows how much of a role he played. Then I met Lisa who was working at REMG at the time. She took me under her wing and I started working at concerts doing e-mail list or merchandise... One thing no one can take from me; my work ethic. From there, Brent/Alex from Just Ent took a chance and let me stage manage some large scale shows including Pharoach Monch- they definitely didn't have to do that. Jay Devonish (KOCH) and Imperial (Point Blank) brought me onto their team, where for a year I learned the corporate aspect of a record label/publicity/management.

Priya: ...my brother who was 6 years older than me got into hip-hop at around 9/10 years old and I was always hanging out with him and his friends. So since I was in kindergarten, I've been exposed to hip-hop. He brought home Rap Pages, The Source, VIBE, Fat Beat, and I read them because I was always reading everything - magazines, newspapers, books. (It's why my eyesight went at about age 10..hahaha). Anyway, he used to be into everything from NWA to Pete Rock & CL Smooth to KRS-One to Public Enemy, his tape collection sits at like close to 1,000 today and that's before the advent of the CD.Jurassic 5 - Urbanology MagazineI would be looking at magazines like the Source and dreaming about 1 day creating a magazine....1 day...

Nylda: It (Hip Hop) shaped me in every way because I was completely immersed in it. There wasn't a move or a choice I could make, that I wasn't reminded of my morals and principles. My parents left all of their family and mother land (Chile) to give us a chance to live "free." The most important memories of this time, where the conversations where I learned the severity of what my parents had been involved in back home...how people had died for what they believed in...really coming to grips with how economical and racial status molds how you will be treated in this world. I was taught all these things at an extremely young age. Being involved in social change was written in my stars as my moms would say. I'm a revolutionary by blood. drunknemonkz much music i.d.Everything I have experienced with the Monkz is relevant to what I have experienced with hip hop as a whole. The struggle, the gritty training, the egos battles within the crew, and the unconditional love, no matter how much we or hip hop pisses us off. My love for the monkz and my long and sometimes treacherous relationship with Hip Hop go hand in hand._________________________________________________________________________

Hip Hop HighNylda: j

eeezzz.....teenage Nylda...I was nothing like the other girls. Always chilling with the guys....into what they were...hip hop...causing shit in school....some other vices that weren't very productive at all.I was a pretty angry young person. Most teenagers seek some direction. The whole high school, teenage thing, seemed ridiculously trivial to me. I wanted something with meaning, and when I didn't find that right away, I found trouble. Lol, I was dancing at the time...but not really seriously until about grade 11... Boogie Brats and Intrikite crew were the first crews the really inspired me. I learned/trained under them in the very beginning. After and during that the first crew I repped with was Top Notch Rockerz. They were my first family and set of brothers in the art form. We were together 24/7…(former student) bboy illz promo.(Jeff Landicho: video & editor)Teaching is where I have found my niche....It gives me the release and creative outlet I NEED....and it gives back to they youth...gives them a way to focus their energies, rage, etc....I have 3 community classes I teach… these classes are FREE...and intended for youth.

Tara ~ Looking back- I was 100% about school and being active in the community. I really embodied a nerd! I didn't party, go to school dances, drink,etc..I was all about being an extrovert; I did a high school exchange program and tried to see as much of the world as I could...I was 17 years old and speaking at the United Nations regarding Sept 11th. Was I cool? Hell no. Did I know that high school is only a phase? You bet. I didn't really have a clique but I tried to get involved in whatever I could....I got my first (industry job) in high school. When I moved to Toronto, I came on board with Canada's historical radio show THE MASTERPLAN. I had the opportunity to learn from some of the biggest heavy hitters in the "urban scene" who would tell me about their experiences/stories.

Priya ~ As a teenager, I was far from the girl who needed the newest fashion and accessories. By then I was deep into my love for hip-hop, trying to attend as many concerts (all ages ones of course) that I could get into. Yes, i did go to basement jams in the neighbourhood, but I don't think I would classify myself as a "party girl". I was heavy into hip-hop and R&B music, spending a ton of my p/t work money that wasn't for food and survival type stuff on CDs, magazines and concert tickets. The rest of the time I spent working - I worked everywhere from Dairy Queen to Old Navy, volunteering as a tutor with local elementary school kids and of course as a member of a dance group called Shades of Dignity. We danced at school and community functions in Malvern for three to four years mainly to hip-hop with some dancehall bits in between. I spent hours choreographing sequences, practising and performing with that group. The rest of the time I was dedicated to school and friends.In terms of me as a person, I think I was always wanting something more. I would go to school and try my best, but only because that's what it seemed you had to do. I challenged a lot of teachers and I felt disenfranchised by the whole school system. Growing up in Malvern around the people I did and going into a school where encouragement was few and far between. I didn't find the lectures interesting... When I got to Humber College for journalism everything changed - I actually started to care about what I was learning and wanting to be at school! But I would say high school helped spark the entrepreneur in me, because it made me realize how non-conformist I actually am and how much I just wanted to do my own thing, on my own terms and create something that would hopefully effect change._________________________________________________________________________

Canadian Hip-Hop

Tara ~ Canadian hip hop is exciting to me right now because it feels like artists are getting their business together and using creative strategy. New outlets such as HipHopCanada Digital and the Stylus Awards are allowing structure to be put into place. Knowing the history of what Canadian hip-hop once was- to understanding where it is now, it feels like there is opportunity to redevelop and grow as a culture if we proceed correctly.

Nylda ~ What excites me about Canadian hip hop is its power to influence the up and coming generations. I have personally been witness to many success stories of young people who took the culture and its pertaining art forms and used them as positive outlets to deal with their lives. It is refreshing and inspiring to see that culture that helped define me be that same momentum for young people that need it so desperately. Big shouts to the Remix Project, Beats to da Streets, Manifesto, ArtREAch, and of course my affiliates: LAMP, CSSP(center for spanish speaking peoples), Dusk Dances, and Kapisanan Comm. center. My Canadian hip hop figures would be Saukrates, Brass Munk,Turnstyles crew, DJ Dopey, Dj Son of Soul, Fase, Serious,.....wow so many. What would a bgirl do without her music?!? Bboys..would be our pioneers: Bag of trix, Intrikite crew, Boogie Brats.... Writers: Duro, Elixir, Egr, Phresha, Water, Skam.... I know I forgot tons! Those are just a few of the top of the dome.

Priya ~ Canadian hip-hop excites me because it is so fresh. It is not tainted by corporate enterprise and is very much representative of the grassroots origins of hip-hop. There is still a huge social awareness piece that is attached to many Canadian artists' music and that is a truly beautiful thing. Right now Canadian hip-hop is in a beautiful state. More people than ever before are getting radio play, publicity, concert bookings, etc. What we need now is for our consumer base to start investing in the good stuff. I'm not saying invest in everything just because it's Canadian, what I'm saying is don't not invest in it because it's Canadian. Understand that in order for us to build up our own infrastructure we have to spend money within our own communities. That is with music, clothes, magazines, anything and everything. Right now the Canadian hip-hop scene has to remember that no one from the outside world feels they owe us anything. So we must invest in ourselves before we seek others to invest in us._________________________________________________________________________Influences,
Mentors and Accomplishments

Priya ~ ...high school is necessary in the world we live in ...I spend a lot of time working with youth, speaking at high schools, mentoring, etc. and I find so many brilliant young people who have trouble focusing in school. In terms of passion, most definitely it wins over following the norm, but I feel like there's so much I have to do, so much I can do, and it never ends. I need to build relationships, talk to people, be an active member of my community and the community at large and cultivate my passion. Passion for something supercedes financial value, security value, etc. and that's because those who are truly happy in life are those who wake up every day knowing that no matter what challenge awaits them, they are happy doing what they do. SUBSCRIBE TODAY FOR JUST $12.95Right now I'm focused on making Urbanology a household Canadian brand and growing its subscriber and readership base. I am the magazine's editor-in-chief and co-publisher/co-founder so basically I have my hands in everything. we're releasing four amazing issues this year and I'm looking forward to getting better and better with each one. further to that you'll see me out in the community - mentoring youth, attending high school and community forums to speak about hip-hop, publishing, journalism; the media, etc. to young people coming up after me. I know starting my business at 21 was not easy and I had few people to look to for advice and support so if I can provide that guidance for someone else, I'm going to do it, hands down. you'll also see me involved in a number of the great events the city and country offers within the urban community because I'm passionate about growing the hip-hop and urban community in Canada and cultivating a culture of not just supporting our own, but cultivating our talent, investing in it and building a fully functioning hip-hop economy/industry in this country.

Nylda ~ ...(movies) Juice would have to be one of my favourites. Wildstyle, Beat Street, of course....Artist wise, I came up on Nas, Group Home, Gangstarr...Anything Dj Premier. I'm also a huge WU and Mobb Deep fan. Cant live with (out) my M.O.P. either....too many to name!Since the Dilla age came about that has really been the most inspirational as far as what moves me musically. There is no contesting his brilliance and his affect on me as a dancer. Slum, tribe, welcome to Detroit, ...Cant not mention Common, Talib, Mos....Breakers? My favourites being those that, respect the culture and the art form and rep raw and the fullest on any opportunity. Those people know who they are, and will see themselves in that statement.Currently I have 3 community classes I teach. All these classes are FREE... Summer, I will be teaching bboy/bgirling at an arts camp: "Arts for Children"...I have been hired as the community choreographer for Dusk Dances www.duskdances.ca ...where I will be putting together 3 different groups of youths, all different ages, to create a collaboration that they will perform for this week long dance festival the first week of July.I think that is all...lol Oh ...and of course I have the "so you think you can dance" auditions...June 10th...that I plan to go and "murder." ;)OH...and for far future...well after this summer that is...I would love to open up my own community center that would target the same youth that I work with now...Not your typical dance studio that charges out of the ass...but something that is accessible to all kids and young people regardless of economical situation...a lady can dream, cant she?!?

Tara ~ My actual day-time job is with a company that handles the online branding for quite a few rock acts , so I'm venturing into the different aspects of the music industry. And everyone should be watching for Yo Ev (of The Masterplan Show), along with the launch of MasterplanMovement.com. Legend DTS and I will have regular content on that, so KEEP AN EYE OUT! That said, current freelance projects include HipHopCanada Digital, Roundtable Ent and contract PR for various artists/companies. I'm still writing for Exclaim and Miola, and I'm always looking to be out there as much as possible. (Tara@hiphopcanada.com!)I don't have ANY biggest accomplishments yet..nothing that I feel has made a difference. Some highlight moments have been things like being on the Tyra Banks Show and at Def Jam, having a few major artists hit me up after giving them bad reviews and being part of a key successful projects like Hip Hop Canada. As for disappointments... I think just being a fan first gave me an expectation of Canadian hip-hop having a real solid base. Anyone involved in this scene-even just a bit- knows it can be hard to tackle. However, personally, the biggest disappointment has been the "true colours" of people I admired. That said- I have a few gems I'd like to forget. One being that I tripped during the taping of Tyra Banks and Tyra had to help me up! Another is charging Mos Def at an event when I was 19.Tara on Kenny vs. Spenny, Who Is The Better Rapper (3 of 3)In terms of building for the future- I have an entertainment lawyer in NYC I've connected with on a mentoring level and when I'm in the position to, focusing on filming a follow-up episode of the Tyra Banks show. A definite priority is remaining on top of my education and within the community. And because it needs to be said, respect to all the women leaders paving the way who never get enough credit – Noyz, Priya, Geena Lee, Simone & Sheryl from the Stylus Awards, Tamara from Whats The 411, Ebonnie Rowe(Honey Jam), Tammy (TiltRock), Janna & Jana, Motion, L'Oquenz, MasiaOne, HustleGRL, Sam Wong, Eternia, Gracie Claire, Lola, Lissa Monet, and SO many more.It's been almost four years since I started my first "gig", and I've seen/done things I couldn't even have dreamed of...but I've had to learn some intense lessons to get this mini-step up on a pretty high ladder.

HUGE! Royce- Goin Nutz

Royce- Goin Nutz

FRIDAYYYY

Bad Boy Mixtape (ACTUAL TAPE) circa 1996

01. Puff Daddy - Stop Yappin Intro
02. Gina Thompson - The Things That You Do (Remix)
03. The Lox - Freestyle
04. Akinyele - Put It In Your Mouth
05. Nas - If I Ruled The World
06. Shai ft. Jay-Z - Stay With Me (Remix)
07. Jay-Z - Cant Knock the Hustle
08. Monifah ft. McGruff - Only U RMX
09. 112 ft. Mr. Cheeks - Come See Me (Remix)
10. De La Soul - Itsoweezee
11. Biz Markie - Studda Step
12. Heltah Skeltah - Therapy
13. Notorious BIG - Freestyle
14. DMX ft. the LOX & Mase - Niggaz Done Started Somethin
15. Black Rob - Freestyle
16. 112 ft. Notorious BIG & Mase - Only U RMX
17. Wu-Tang - Semi-Automatic Full Rap Metal Jacket
18. Jay-Z ft. Notorious BIG - Brooklyn’s Finest

Chilly Boom (Just Blaze) -Saigon featuring..Kardinal? Word?

Chilly Boom - Saigon, Kardi, Baby Cham

Not feeling it. At ALL.

May 2008 Reviews

Dizzee Rascal
Maths + English

By Tara Muldoon

Dizzee Rascal is letting go of all his inhibitions and speaking his mind on Maths & English. With a clever title — representing the least favourite but most essential school subjects — his wrath is felt as he speaks on the music industry, record labels and life in general. “Hard Back” represents this completely. “Da Feeling” is a sexy summer song in waiting and is a much-needed track on this album, but “Suk My Sik” is ridiculous. Luckily for Rascal, his sound is so unique and alluring that content won’t matter as much as how the bass sounds in your car. The highlight of the album is the weirdest/best collaboration “Where’s Da G’s,” with UGK. If you’re already a Rascal fan, pick this album up because he’s sounding stronger than ever. If you’re not already a fan, pick it up so you know what you’re missing. (XL)

Black Milk / Fat Ray
The Set-Up

By Tara Muldoon

Black Milk was 2007’s hip-hop darling and the media praised the producer/MC. Now in 2008, he has again delivered a standout product to those same open arms. The Set Up is Black Milk’s production and flow combined with Fat Ray’s baritone, representing Detroit’s legacy to the fullest. Don’t mistake the high quality of the production for a well-rounded album though — the lyricism falls flat in almost every song — but if you’re looking for something to kick back and enjoy, The Set Up has that sound. The best track is “Flawless,” with every other song also making that “best track” list. “Bad Man” featuring Guilty Simpson is crazy and the listener must resist the temptation to press repeat to move to the next track. One can only hope this is the Setup for even better projects. (MuSick)

Reviews March 2008

DJ ENVY & RED CAFE: THE CO-OP

DJ Envy and Red Cafe both needed to be relevant in the press for their solo projects- and this collaboration album was the product geared to create a buzz. The lead single “Dolla Bill”, featuring Jermaine Dupri and Fabolous, was an underground success but didn't catch on to a mainstream audience, probably because it gets redundant after the first listen. The follow up single with Nina Sky “The Things You Do” was the standout track on the album and showed a mesh of chemistry between all artists. Every song on the album followed a formula of simple beat and generic lyrics (“life is so good, I could bottle this stuff”). Ironic that DJ Envy yells over every song what a listener thinks about this album; “What else!?”

Hi-Tek- Hi-Teknology 3: The Underground

Hi-Tek had a well-received album in late 2006 called “Hi-Teknology Volume 2: The Chip”. Highly rated, and still buzzing, he opted to release a follow up, “Hi-Teknology 3: The Underground” within a year. Unfortunately for the superproducer, strength isn't in numbers. A wide array of hip-hop artists were featured over his captivating production and the content selection for The Underground is varied and impressive, but the chemistry is lackluster for the majority of the album. While it should be noted that while he used this album to put on his local home-town artists, none of them shine. Stellar exceptions: My Piano featuring Raekwon and Ghostface, Time featuring Talib Kweli and You Give Life To Me.

Interview with Imperial (HipHopCanada.com) August 07 2007

Tara: Let's get right into it, Imperial. You're the President of Tilt Rock Records; how important is having your business on-point in this industry?

Imperial: At the end of the day, it’s all about business because I have to pay my bills and eat. You can be the greatest artist and if your business ain’t right, you’ll still have no money. You can have the top selling track and still be broke; you’ll get stomped on with these guys with no talent that’ll consume you. You as an artist better have your business tight. Speaking for myself, because I know my worth, I know the struggle I’ve put in. For example, I feel like it is very important to get paid for a show. We (Point Blank) deserve to get paid to do a show. If the promoter doesn’t recognize the level I’m on, it’s his problem. It’s not just about the money, it’s a business. They keep talking about exposure, but I’ve had the number one video on RapCity. We’ve done it ourselves, we can do it ourselves. Bring something new to do the table with leverage. You’re not doing something that the next big promoter can’t do, get your business right.

Tara: Break it down for us, how should local artists be taken care of by promoters?


Imperial: Don’t tell me you’re going to get a lot of exposure doing a show, putting us on with a headliner and promises but no budget. Don’t do that then have us pay money for the show CD, mix and master CD, rehearsal space and then rent our limo to get to the show and back. All of these are big expenses, and at the end of the day, for whatever reason, the promoter doesn’t have his business right and the show flops. The show doesn’t happen due to whatever reason, and when I call the promoter, you’re trying to dodge me. The promoters want to be a star like the artist. You know you fucked up and don’t have an answer. It’s not about that though, it’s about moving on. I’m not coming at you for the past; let’s talk about making money so these things don’t happen again.

Tara: As the youngest associate of Tilt Rock, was taking a leadership role a natural progression for you?

Imperial: I’m my own leader and that’s what it is. It’s not that I lead anyone else, I’m my own boss. I stand on my own two feet, been on my own grind. When you decide what you want to do for yourself, you take it upon yourself to do it. Within Tilt Rock Records, it was a natural fit to become President because everyone else involved in the label had commitments in their personal lives.

Tara: Who is Imperial as an artist?

Imperial: In my lyrics, I’ve been always keeping it real grimy. If you listen to my lyrics, that’s what it is; but I have to show that you can grind but you have to enjoy yourself. The payoff for the grind, what you get from grinding so hard, is good. You get back what you put in. I put in a lot of grind, so obviously in my lyrics you’re going to hear me talk about some baller shit. First though, put in the ground work. I love to be creative, I love to be musical. As an artist, I have no boundaries. Straight up, none. As an artist, I am willing to explore a lot of different things that most might look at like I’m fucking crazy. You can hear me from grimy to rock shit. That’s how I can flip it, I’m versatile. I like to see different things and visual shit, so I talk about those experiences in my lyrics. I’m like a mad scientist; I’ll take a little bit and mix it all together.

Tara: Drop us a hint on your solo release content.

Imperial: Oh shit, fire! Some unexpected shit. My album is going to be crazy; I’m going around the whole fucking world and recording it. Not letting’ anything out right now, but it’s going to be real big! If you’re an A&R, you can holler and get an exclusive listen.

Tara: How important is it to use your position for social change?

Imperial: Right now, I’m in a position that needs social change. I don’t look at myself as someone in a position of power, I’m just me. I don’t have the power to make massive social change but I can reach out to a small market of people that will make people aware. I don’t have political connections or big money to do social campaigns but it is important to me, because I’ve run through the entire system from a youth to an adult. One of the facilities I stayed in was great because it was run by black people; run by black people for black kids and it was the only place I was still getting oxtail and fritters. I’d love to be able to do something like that for the future; when it’s strong enough. Of course I have these dreams. Let me sell these million albums first, and then do the rest. I want people to know that I’ve been through it all, but prevention is better than cure. If you can make someone aware of their consequence before their actions, it may be a solution. At the end of the day, for me to make all these changes, I am still that person at risk. You can’t ask me how I’m going to give back when I am that person that needs that help. I can suggest how you, as someone who as made it, can help us.